Hold On, Let Go
The title of Julian Mortimer Smith‘s science fiction story ‘World of Dew’ comes from a haiku by Kobayashi Issa, a Japanese Buddhist poet. Julian’s story of future space travel interweaves well with this 200-year-old poem, as both grapple with the desire to hold onto things in a world characterized by impermanence.
Enjoy this excerpt from Issue 8, Autumn 2015.
World of Dew
by Julian Mortimer Smith
This world of dew
Is a world of dew.
And yet, and yet …
— Kobayashi Issa (1763 – 1827)
I never scan the ship before blastoff. I just buckle in and ignite. It’s like striking a match. My ship fizzles noisily through Juntavu’s atmosphere and then settles into a nice steady burn that consumes mass until there’s almost nothing left. That’s where I live — that tiny splinter between your fingernails, that fragment, that almost nothing. You would never know I was carrying the exportable goods of an entire world with me, but that’s what all those expensive pseudo-dimensions tucked away in back are for.
When the match burns out that’s it. My fuel is spent and I’m still barely out of the system. But I’ve got all the momentum I need. I can ride that stupendous wave of kinetic energy all the way to Arragarra. I’m going well over light speed now, thanks to the zero-space ram affixed to the prow, and there’s nothing to slow me down out here in the almighty night.
Only once I’m beyond the intercept threshold of whatever customs officers and law enforcement agencies exist on the planet I’ve left behind do I scan the ship, pinpoint the rogue heat signature, the carbon dioxide source that shouldn’t be there. A blue blip on my monitor. A ghost in the darkness. Hold G8. A stowaway.
There’s often a stowaway. The Brotherhood couldn’t function without them. We were all stowaways or castaways or runaways at one point. So I go down to the cargo decks with a paralysis pistol and a crowbar. My computer tells me which crate is breathing, whispers it right in my ear so as not to alert whoever’s in there. It’s a big crate that’s supposed to be full of electronic goods. Lots of packaging and shielding. Easy as pie to chuck some of that junk and make a nice, comfy nest for yourself, to become invisible to customs and security. But no one’s invisible aboard my ship.
I crack it open and point my pistol, pretending to be a mean old space cowboy, but there’s no need. He’s curled up and out cold, sleeping like a baby. Must have taken some sedatives. Skipped the boredom and fear of the wait. Smart kid.
He’s barely more than that. Young enough to be my grandson. Actually, my grandson died of old age millennia ago, but you know what I mean. He’s maybe eighteen. Shaved head. Lean, delicate features that will fill out as he ages, but that currently make him look fragile and cute and desperate. A tracksuit and rucksack that look military. Maybe a deserter then. I can sympathize, old hippie that I am. I’ve had a few deserters from various military and paramilitary and quasi-military outfits over the years. They tend to be good workers but bad company. Usually they ditch after a few runs anyway.
I manhandle the kid onto one of the light-duty stevedores and take him up to Habitation. I check him over with a DiagnosStick — he’s fit as a horse — and leave him snoozing on a bunk with a tray of breakfast on the nightstand. He can thank me later.
To find out what happens next, pick up your copy of Issue 8, Autumn 2015!
Julian Mortimer Smith is a science fiction and fantasy writer based in Yarmouth, Nova Scotia. His work has been published in Asimov’s, Terraform, Lightspeed, Best American Science Fiction & Fantasy, and other venues. His recently released collection of stories, The World of Dew, is available now. For more of Julian’s fiction, visit julianmortimersmith.com.
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