‘The Weeping Pools’ by Cadence Mandybura

Sorrow Rising

From the final line of ‘The Weeping Pools’ by Cadence Mandybura, sorrow rising speaks to colonialism’s painful and enduring legacy, its trauma held to account in this powerful story.

Winner of the 2020 Hummingbird Flash Fiction Prize, ‘The Weeping Pools’ was praised by judge Bob Thurber for its clarity, strength, and serenity.

Enjoy this excerpt from Issue 29, Winter 2021. And for news of the 2021 Hummingbird Flash Fiction Prize, opening 1 May, see the details below.

The Weeping Pools

by Cadence Mandybura

Sister Margaret needed to find out where the children were going at night.

She could have put a stop to it when she first noticed children slipping out of the lodge, but she was too curious to halt them just yet. If she understood where they were going, she would be better equipped to correct their behaviour. They were cunning about it, too: only a few went out each night, their empty beds camouflaged with heaped pillows that must have been donated by other children. Even in their truancy, they helped each other.

On the next clear night, Sister Margaret hid in a dark hollow of the chapel, where she had a good view of the lodge door. The cold kept her awake as she surveyed the silvery stillness of the forest, so different from her home country. She felt like she was trespassing into another world, with the edges and slopes of the landscape painted in chalky moonlight. They had made it through the worst of winter, but spring still seemed distant, a quiet rumour beneath the snow-dusted ground.
 
Over the course of an hour, she watched three small figures sneak out of the lodge. They all moved the same, taking a few stealthy steps away from the building before bursting into a run. After waiting long enough to determine that no more children were emerging, Sister Margaret began her pursuit. She was surprised to see that they had left their shoes behind, their tracks in the snow small curves with perfect toe-dots. 

To find out what happens next, pick up your copy of Issue 29, Winter 2021!


Cadence Mandybura’s fiction has been published in FreeFall, NōD, Fudoki Magazine, and the Bacopa Literary Review. When she isn’t writing, Cadence practises martial arts and plays Japanese taiko drums. Learn more at cadencemandybura.com.

Now it’s Your Turn! Opening 1 May:
The Hummingbird Flash Fiction Prize!

With a top prize of $300 and publication in Pulp Literature Issue 33, Winter 2022, the Hummingbird Prize really soars!

This contest is for previously unpublished short fiction up to 1000 words in length.  Multiple entries welcome!

So send us your flashiest flash, your small but mighty prose, your sweet or scrappy stories. And if you enter by 15 May, you pay the early-bird fee of just $15!

For more details and to enter, visit the contest page.


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