Some movie titles resonate over the decades, with just a single word:
Greed. Superman. Heist. Memento. Charade.
One Great Word
I’ve been reading Michael Connelly’s The Crossing. I admire the way he joins the inner and outer conflicts in the single word, crossing. The outer problem is finding the point of crossing between victim and murderer. The inner problem is that hero ex-cop Bosch faces crossing a line he swore he’d never cross, in order to solve a murder mystery.
Your Writing Tip: One Word Two Ways
Find one word that describes your protagonist’s story. You get bonus points for pulling off a similar grand feat as the one above. That is, connecting the inner and outer struggle through a single word with two meanings. Moments of clarity like this may help inform an entire story and save truckloads of revision time.
I hope you’ll have another brilliant week in your writing career. Cheers Mel.
Mel Anastasiou writes The Fairmount Manor Mysteries series, starring Mrs Stella Ryman, The Hertfordshire Pub Mysteries series, starring Spencer Stevens, and is Acquisitions Editor with Pulp Literature Press.
If you enjoy reading Mel Anastasiou’s writing tips, pick up her pocket-sized writing guide, The Writer’s Boon Companion: Thirty Days Towards an Extraordinary Volume.
Motivates, organizes, encourages, inspires.
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