Throwback Thursday: ‘The Robber Maiden’s Story’ by Eileen Kernaghan

A Peek Behind the Page

In every issue of Pulp Literature, we bring you an interview with a different feature author. And one of the treats of our Throwback Thursdays is the opportunity to revisit the anecdotes and advice from our writers of features past.

Issue 5, Winter 2015 brought us Eileen Kernaghan with ‘The Robber Maiden’s Story.’ And In our feature interview we asked her about her favourite piece of writerly advice. Here’s what she told us: “I have two. One: Read. Not just in your chosen genre, but as widely as possible — non-fiction as well as fiction, because that’s where the ideas come from. Two: Edit. Edit. Edit.“

We couldn’t agree more! To read the rest of our interview with Eileen, pick up a copy of Issue 5 in our bookstore. For now, enjoy this excerpt from Eileen’s marvelous tale, ‘The Robber Maiden’s Story.’

The Robber Maiden’s Story

by Eileen Kernaghan

My father was a bandit chief. Not many people remember that. He died a long time ago, with a knife between his ribs. Not my knife, either — though I thought of doing it often enough.

I was an ugly child, they tell me, dark-skinned and scrawny. But neither was my mother any beauty. She had a long beard, stiff as a brush, that I used to pull to hear her squeal, and eyes like two burning coals half-hidden under shaggy brows. But the power was in her, as it was in me.

When I was sixteen my breasts were still as small and hard as pine nuts, but my shoulders were as broad as a man’s. One day I buried my skirts under a bush, and put on a man’s boots and leggings, a cap the colour of ripe strawberries, and a deerskin shirt. From one of my cousins I stole a fur-lined cloak, so heavy that it made my shoulders ache. And when I went away from my father’s hall, no one guessed that under my rough bandits garb were a woman’s parts.

But that was later. You asked how I came to know the Swedish woman Gerda, the one they call the Angel of the Snows. You tell me she is famous now, for her travels and her good works. You say she writes books that are published in a dozen languages and people come from miles around to hear her speak. Yes, I can see how that could happen. It doesn’t surprise me very much.

How did I meet her? Well, it’s a strange enough story — I wonder if one day she will write about it in her books? One fine summer afternoon, you see, I was out in the birch wood hunting rabbits. I heard a great creaking and groaning and clattering of wheels on the road through the wood. And when I went to look, I saw a coach with a team of four white horses jouncing over the ruts. You could tell it belonged to somebody important. The coachmen, the footmen, even the outriders, wore scarlet uniforms with gold frogs and epaulettes, and tall bearskin hats. The coach had red silk curtains and a crest on the side, and was so covered in gilt that at first I thought it was solid gold.

But, as it turned out, my parents and their men were waiting around a bend in the track. Soon there was blood as well as dirt splattering the coach right up to its golden door-handles, and the coachmen, the footmen, the outriders all were lying naked under the trees with wide red grins in their throats.

To find out what happens next, pick up your copy of Issue 5, Winter 2015!


Eileen Kernaghan is the author of historical fantasy novels and a three-time winner of the Aurora Award for Canadian speculative fiction. Her work has been shortlisted for the Sunburst Award for Canadian Literature of the Fantastic, and for the Sheila Egoff Award for Children’s Literature. Her short stories and poems have appeared in many North American literary and speculative publications. Find out more at eileenkernaghan.ca.

Now open: The 2021 Hummingbird Flash Fiction Prize!

With a $300 top prize and publication in Pulp Literature Issue 33, Winter 2022 this flashtastic contest really soars!

Master of flash Bob Thurber is back in the judge’s seat. And for a look at last year’s winners, pick up a copy of Issue 29, Winter 2021.

Closing 15 June, this contest is for previously unpublished short fiction. And remember: tell those terrific tales in under a thousand words.

All entry fees include a 1-year digital subscription to Pulp Literature.

And why not add on a professional critique by one of our editors for only $25 more?

For all the details and to enter, visit the contest page.


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