Throwback Thursday: ‘The Inner Light’ by Krista Wallace

Issue 6

The Show Must Go On

In ‘The Inner Light,’ feature author Krista Wallace presents a chilling tale of the theatre and the sacrifices made for art.

We were delighted to chat with Krista in our feature interview, and to learn her tips for the writer’s trade. Here are a few gems:

Keep going. Attend conferences and conventions. Meet people (writers are fun to hang out with!).

Try whatever you want to try, and don’t let anyone tell you, “You can’t do it that way.”

And finally: Never listen to that voice in your head that tells you you are no good.

Great advice, Krista! And for more from Krista’s interview, pick up your copy of Issue 6, Spring 2015. For now, enjoy this excerpt of ‘The Inner Light.’

The Inner Light

by Krista Wallace

“I’m trying my best,” Matilda said.

“Yes, of course I hear you.” Matilda stared into the shiny black darkness.

“I know.” Matilda stroked the glossy surface.

“I’m sorry.” Matilda’s pitch rose as anxiety crept up her throat. “There is more coming, I promise.”

“No, please. Please, don’t.” Fear scratched at her chest. “Please. I promise there’s more. Lots more. Just please leave Andrew alone.”

Matilda backed away, her fingertips kissing the cold sphere before finally disconnecting. Then she turned and hastened out of the lobby and into the theatre, where the cast was waiting. The stage manager handed out scripts, and they were all seated around the table on the stage. Waiting for her. Ah. There was Andrew, at the head of the table, of course. She strode down the stairs through the seating in the house.

“Right, ladies and gentlemen.” She articulated the next word distinctly. “Macbeth!”

Predictably, the theatre erupted in the hysterical shrieks of high-strung, superstitious actors. Matilda went up the stage-right steps two at a time, while Lady Macbeth dashed down the stage-left steps and ran through the house into the lobby, likely to turn around three times and yell, “Shit!” Banquo and Duncan fled into the back hall, probably to do the same. Macduff spun around on the spot and spat on the floor to his left, while the three witches clung to each other and recited some piece of verse to chase away the evil spirits Matilda had summoned by not referring to the work as ‘The Scottish Play’ within the theatre. The rest of the actors made all sorts of noises and protestations, complaining that Matilda should have known better. The stage manager had to go and invite Lady Mac, Duncan, and Banquo back into the theatre.

“And it must follow, as the night the day / Thou canst not then be false to any man.” Lady Mac intoned the line from Hamlet to nobody in particular, thereby completing her antidote to the curse. Only Andrew — Macbeth himself — remained completely calm; he had stayed seated at the table, patiently awaiting the read-through, with only a glance and an eye roll to indicate he was aware of the panicked bustle around him. Andrew’s calm was an important element of his character.

Matilda smiled to herself at the minor chaos. Fear. Anxiety. Irritation. Anger. If only she could see the sphere from here.

To find out what happens next, pick up your copy of Issue 6, Spring 2015!


Krista Wallace is a writer, singer, and actor. She writes short fiction in a variety of genres, and long fiction, primarily in fantasy. She sings jazz in a big band called FAT Jazz, and in a duo called the Itty Bitty Big Band. Krista also does audiobook narration and puts out a weekly podcast. Find out more at kristawallace.com.

Only Two Weeks Left: The 2021 Hummingbird Flash Fiction Prize!

The 2021 Hummingbird Flash Fiction Prize is now open! What super stories, what fabulous flash, what pleasing prose do you have for us this year? And remember, this contest comes with …

A $300 Top Prize!

… and publication in Pulp Literature Issue 33, Winter 2022! How’s that for flashtastic? Master of flash Bob Thurber is back in the judge’s seat. And for a look at last year’s winners, pick up a copy of Issue 29, Winter 2021.

Details and How to Enter

Closing 15 June, this contest is for previously unpublished short fiction. And remember: tell those terrific tales in under a thousand words. All entry fees include a 1-year digital subscription to Pulp Literature. And why not add on a professional critique by one of our editors for only $25 more?

For more information and to enter, visit the contest page.


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