‘The Weeping Pools’ by Cadence Mandybura
Sorrow Rising From the final line of ‘The Weeping Pools’ by Cadence Mandybura, sorrow rising speaks to colonialism’s painful and enduring legacy, its trauma held […]
Sorrow Rising From the final line of ‘The Weeping Pools’ by Cadence Mandybura, sorrow rising speaks to colonialism’s painful and enduring legacy, its trauma held […]
Homeward Bound In ‘Ghost Story’ by SL Leong, a young woman navigates the hauntings of her past and present. Enjoy this excerpt from Issue 29, […]
Navigating the Narrative One of the joys of reading unsolicited manuscripts is discovering the patterns and trends that rise from the writerly collective unconscious. And […]
Hijinx or Bust Hijinx or bust, a phrase from Abner Porzio‘s poem ‘Californian Illusion’ (Issue 29), holds the live, baby, live impetus found in much […]
Woman’s Work In ‘The Hunter Undead’ by Erin K Wagner we join the hunt for puffins in Iceland — and visit the rocky terrain of […]
And the Band Played On In ‘Synchronicity and Sonata’, Brandon Crilly introduces us to an afterlife of a very different sort, and offers hope to […]
That phrase — at a distance — is from the opening line of Michael Penny’s ‘Kalaloch Beach, WA’ (Issue 29), a stunning poem in which the speaker encounters a decaying beached whale.
Keep Your Friends Close Return to Hollywood circa 1934 with Mel Anastasiou and her most-wanted ‘murderess’, Frankie Ray! Previously in The Extra … Frankie Ray […]
Ice and Honey With ‘Winter’s Flower’ by KT Wagner, we continue our journey through the pages of Issue 29, Winter 2021. In this beautiful retelling […]
One Giant Leap Feature author Shashi Bhat, in ‘The Library Giant’, takes us deep into one man’s struggle to reconcile himself with … himself. In […]
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