A Good Name Is to Be Chosen
In ‘My Name Is Philomena’ by Robin Malcolm, a girl and her dog navigate their vagabond life in Seattle at the close of the nineteenth century.
Take a step back in time — and to a buried city — with this excerpt from Issue 32, Autumn 2021.
My Name Is Philomena
by Robin Malcolm
In the days of the trapping old-timers and prospecting gold miners, when Seattle was a boom town full of timber barons drinking beside lumberjacks, when scoundrels were thick as flies and even upstanding citizens were known to rot like meat in the sun, there was a girl who did not know her name. That girl was me.
I rather liked to think it might be something fancy like Anastasia or Katerina, but it did not matter because nobody ever addressed me by name. The crooked fur trader spat “girl” through his rotten teeth when he was sober, and nothing at all when he wasn’t. Prior to his mouldy cabin under the old-growth forest, I have no memory at all. Later, those who recognized my face upon their fair streets sometimes called me “otter girl” for the sea-otter pelt I wore around my neck.
I did not like this title. I was quick to plant my feet and raise my voice to correct them. “My name is Beatrice,” I told the shopkeeper who gave me scraps from his dinner table in exchange for sweeping the walk each day. And “I am Alberta” I told the laundress who chased me from her sheltered doorway.
The city was different then — a wilderness not yet tamed, only bartered with. The forested hills rose up out of Puget Sound like a bull in a bathtub, and people clung to its side like ticks. An oxcart road ended at the top of First Hill above the sawmill, and, from there, logs were greased and skidded down to Mr Yesler’s steam-powered sawmill against a tide flat on the bay. The smell was outrageous on Skid Road, as was to be expected when the city’s sewage, dumped straight into the bay, was generously returned with the incoming tide. The muck sucked and puckered at my feet as I stepped up onto the planking of the mill porch.
To find out what happens next, pick up your copy of Issue 32, Autumn 2021!
And for your chance to appear in the pages of Pulp, enter the Bumblebee Flash Fiction Contest, now open! For all the details, visit the contest page!
Robin Malcolm is native to Seattle, Washington, transplanted to West Africa, where she writes curriculum and resources for local schools and churches. She has published two books in her professional capacity, but fiction is her therapy. She loves telling honest stories grounded in living, breathing places. Her story ‘The Bumblebee’s Daughter’ appeared in Pulp Literature Issue 24. Robin is a two-time winner of the Surrey International Storyteller’s Award, and she is currently working on two novels and a memoir of her life in Africa. Visit Robin on Twitter.
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I loved this story!