‘Maslow Meets the Mayfly Moon’ by Janet Smith

All Is Built on Sand

In ‘Maslow Meets the Mayfly Moon’ by Janet Smith, we meet a hopeful painter who will stop at nothing to bring the full spectrum of colour to her ebony-sand planet.

First runner-up for the 2020 Surrey International Writers’ Conference Storyteller’s Award, this kaleidoscopic tale appears in Issue 31, Summer 2021, and we are delighted to excerpt it here.

Maslow Meets the Mayfly Moon

by Janet Smith

Eril’s canvas dominated the tiny living quarters. Not with its size, but in its vibrant contrast to the black surrounding it. The apartment walls, the ceiling, and the floor, along with every piece of furniture, had been 3D printed using the ebony sand of Stygia. As far as Sena Brevity was concerned, this perfect construction material made for a rather depressing decorative choice. She stepped toward the painting and peered at the kaleidoscope of colours in front of her. The brush strokes were short and precise. Beautiful. She stepped back, and the collage morphed into the face of a wistful woman. Brilliant.

Sena sighed at the talent on display, wistful herself as she measured her artistic shortfalls against her pride in this student’s skill.

“I’m out of paint.” 

Sena spun around to find a dejected young man slumped on the couch behind her. 

Eril held out a rolled-up tube of red pigment, not looking at her as pulled his legs toward his chest and dropped his head into his knees. “Word got out.”

She knew what that meant. The Marshall Council had categorized him as idle — a status unacceptable in a colony less than sixty orbits old. Every sector within the city still juggled a crushing workload. 

“Where?” was all she needed to say.

“Road crew. An eight-cycle stint starts tomorrow.” The boy looked at her for the first time since entering his residence. His pallid face broke her heart. 

She put her hands behind her back so he couldn’t see her clenched fists. She knew who was responsible. “I’ll fix this,” she said as blood pounded in her ears. “The supply ship is coming. It’ll be okay.” 

She made Eril a grilled cheese sandwich and left.

Stygia was a Cinderella moon in orbit around KOI-571.05, an exoplanet tracking a red dwarf sun through the Andromeda galaxy. In 2308, Sena, a naive art graduate, had joined the crew of a supply ship. She’d expected to find an established colony and citizens eager for culture, not an environment whose only colour came from the firm ebony sand that covered everything in every direction.

Statton Colony was nowhere to be seen from their landing site. The captain could only surmise it was a navigation failure. Rather than risk a search crew, he announced their supplies would be used to form a new Stygian colony named after his father, and the Marshall Colony became Sena’s home.
 
The air was sweet, the water clean, and atop the few stone outcroppings, the crew discovered wild goat-like creatures they could domesticate for dairy and meat. This moon was a perfect fit for human settlement. Using its ever-present sand as raw material for their 3D printers, a city was erected, every aspect as black as space.

To find out what happens next, pick up your copy of Issue 31, Summer 2021!


Janet Smith is an SFF/horror writer who lives on Vancouver Island with her husband. She is a graduate of the SFU Writer’s Studio and is scheduled to complete the SFU Editing program in the fall of 2021. This story was born from all of the 2020 upheavals, including some serious health issues for both herself and her best friend’s family that changed them forever. It’s a reminder that as central as our human issues seem, there are other agendas at work that use, or disregard, humans altogether. Janet has had two short stories published in anthologies, and she was shortlisted in the BC/Yukon Short 2020 story contest. Janet can be contacted at janetksmith.com.


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