‘A Collection of Secrets’ by Rhea Rose

What Lies Beneath

A young collector discovers the power of nature — and nurture — in ‘A Collection of Secrets’ by feature author Rhea Rose.

As Rhea tells us, “I know mermaids are popular, and many stories are written about them. When writing about popular creatures, a writer wants a new twist, a new lens through which to experience them. … I wanted my mermaids to have agency and power, be a force for the planet, and get some payback for the damage done to their world from polluting plastics. I wanted them to be more than sexy sirens.“

No need to think twice, though, before plunging in to this excerpt from Issue 35.

A Collection of Secrets

by Rhea Rose
Cover of Pulp Literature 35

When I turned twelve, in 1967, I ordered sea monkeys from a comic book. I kept the critters in an old green Jell-O mould I’d found stuffed with cleaning rags under the kitchen sink. I’d filled it with rusty-coloured tap water, water the city warned us not to drink before boiling. 

The creatures soon grew from thimble-sized to the length of my thumb — too many, too fast. By the time I moved the mould from the kitchen to my room, they’d chewed a tiny hole through the thin plastic and it had begun to leak. 

I moved them quickly to a glass bowl on the dresser in the room I shared with my little sister, Taryn. Over time, the sea monkeys, each a different colour of the rainbow, escaped. But they didn’t get far. 

A few leapt free and landed smack on top of the dresser, where their long purple locks caught in my hairbrush and they dried out. Some dangled like golden strings of unravelled yarn, twisting around a dresser-drawer handle. Others lay draped and dehydrated, orange and limp like carrot peels, over a tube of lipstick. 

An old aquarium with no fish, but all set up with plenty of aquatic plants, rocks, a bubbling treasure chest — all of it costing a total of twenty-five cents at a garage sale — solved the plastic-eating problem for a while. 

Still, they escaped. 

I’d find one or two of them hard and crispy in my old flip-flops, the toeholds chewed away. Two curled up behind my sunglasses, but, before they dried up, had bit perfectly round baby-finger-sized holes through the middle of each lens. Some chewed a hole through my tube of Coppertone suntan cream and drowned in the lotion. Turns out the sea monkeys I’d ordered from my Prince Valiant comic book weren’t sea monkeys at all. The dehydrated dust-sized creatures I’d sprinkled into the water had grown into tiny lemon-yellow, lime-green, raspberry-red, orangey-orange, and blueberry-blue … mermaids.

Find out what happens next, in Issue 35, Summer 2022!


Rhea Rose has published many Canadian speculative short-fiction stories and poems. She is a three-time Aurora Award nominee, and is currently nominated a fourth time, for her editorial work and writing in Polar Starlight, an online zine of speculative poetry by Canadian authors. Her story ‘The Gamogue’ appears in Pulp Literature Issue 12, Autumn 2016.


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