Tag Archives: writing tips

The Next Step in a Writing Project

For those of us attempting to fit our full-time writing careers into our full-time lives, one great two-step strategy may help.

  1. Ask What one important step comes next?
  2. Chunk this next segment of work down, to the smallest possible size.

Of course, we keep the big picture—the whole book, series, career— in mind.  But when there are only 10 minutes to spare in a working day, it’s worth asking “What’s the one thing that comes next?” If the answer is “Chapter Three”, we’re not about to write Chapter Three in ten minutes on a Thursday afternoon.

Chunking Down the Next Step

What really comes next may not be Chapter Three itself, but a design:

  • on outline of the general action
  • an arc for the POV character
  • a design for an exchange of power through dialogue or action
  • a sketch of the central image,

Any one of these small steps may be taken towards Chapter Three in 10 minutes.  Whether we think it through, draw a snowflake, or write a quick outline, we’ve gone a long way towards writing that chapter.  It’s a mighty satisfying way to finish busy Thursdays, too.  Or crazy Mondays.  Or fly-by Wednesdays…

I hope you’ll have another great week in your writing career.  Cheers, Mel


If you enjoy Mel Anastasiou’s writing tips, you might try her pocket-sized writing guide The Writer’s Boon Companion: Thirty Days Towards an Extraordinary Volume. Motivates, organizes, encourages, inspires.

From Pulp Literature Press

“The Writer’s Boon Companion is a quiet, thoughtful chap.  Boon offers daily hints and exercises to support your narrative along its road to completion.  You’ll also find generous servings of motivation and philosophy to help you forge ahead over 30 days of drafting towards a completed novel or novella.

This writer’s journal offers space for goals, reflection, outlines, and offers what no other writing guide can, the future visions of a steam-powered robot.

The Practicalities of Thinking Big

Thinking Big: Career Scope

A friend of mine, a wise and lovely woman, filled to the gills with integrity, and inspiring to all, says this about thinking big:  Say you’re making a huge income through your writing every year, what would you do?

Thinking Big: Questions

  • Three thousand words a week to a cogent outline = one long or two shorter novels a year.  Would that be enough for a busy, successful career?
  • What if one wrote double that, would it be too much to deal with, for revising, editing, proofing, promoting?
  • In an ideal career, how much of the day should go to writing?
  • How much of the week?  Seven days writing sounds like a recipe for burnout to me.
  • There will be lots of proofs to look at, and signings.  How many signings a month would be reasonable?  How many readings or workshops?

Thinking Big:  An Ideal Day

Here’s another big scope question for a writer:  What does the ideal day, week, year in an ideal writing career look like?

Imagine that ideal day in a satisfying and successful writing career.  I’ll bet it’s not as frenetic as all those questions in the previous section make it sound.  Still, those big ideas are fun to think about.  And it’s nice to know that already we do, now and then, have that perfect day in our ongoing writing careers as well.

Great dreams combine with concrete goals to fuel our writing energy.

I hope you’ll have another great week in your writing career.  Cheers, Mel

“Learn how to be happy with what you have while you pursue all that you want.”  -Jim Rohn


If you enjoy Mel Anastasiou’s writing tips, you might try her pocket-sized writing guide The Writer’s Boon Companion: Thirty Days Towards an Extraordinary Volume. Motivates, organizes, encourages, inspires.

From Pulp Literature Press

Stronger Narrative Structure, 3 Ways

art by Mel Anastasiou, narrative structureOn a panel at this year’s  Creative Ink Festival, three of us talk about planning processes for strong narrative structure.

The first describes himself as a “pantser”.  He writes what comes next, and doesn’t worry about outlines. He thinks hard about his story and its turnings; he doesn’t write it all down.

The second is a “move sections around” writer, who, like Truman Capote, believes in the scissors over the pen.  She writes great scenes, trusting her inner writer that they’ll fit into the plot and move it forward.  Her inner writer doesn’t let her down.

I’m the third writer on the panel. I’ve tried pantsing and moving scenes around. These approaches brought me no success, because I needed to strengthen my understanding of storytelling.  I read, digested, applied and analyzed everything available on narrative structure.  Now, I outline everything.  Story, scenes, character arcs for everybody.  I do this partly because I want to go to my drafting desk ready to write, partly because I love outlining like the first Greeks loved Prometheus’s gift of fire, but mostly because the criticism that I used to get from editors was, I can’t tell what this story is about.

As I gaze at the two gifted writers beside me I reflect that each of our approaches to story planning involves a confident understanding of narrative structure, and careful use of available writing and planning time.  What a pleasure to know that some aspects of writing come naturally to each of us, and that the rest may be learned.

I hope you’ll have another brilliant week in your writing career.

Cheers, Mel

From Pulp Literature Press:

If you’re a fan of Mel Anastasiou’s writing tips, you may enjoy her pocket-sized writing guide The Writer’s Boon Companion: Thirty Days Towards an Extraordinary Volume. Motivates, organizes, encourages, inspires.

From Pulp Literature Press

 

Creating and Sustaining Suspense and Tension, Part 2

If we create suspense and sustain tension during the plotting and drafting stages, then we save truckloads of time on revisions.

Try one or more of these to sustain tensionWriting tips from Pulp Literature
  • Keep the story goal and central conflict front and centre, with a hint at the start of each scene, so readers remember what matters most deeply to our point of view character.
  • Within the parameters of genre, establish that anything can happen.  If the author has something unthinkable happen at the start, within the genre’s context, that raises the tension.  Readers never feel a hopeful young squire is safe just because he’s young and hopeful.  See the first scene of George RR Martin’s Game of Thrones.
  • Remove tension killers.  Capote said, “I believe more in the scissors than in the pen.” Check ends of scenes and chapters, make sure there’s no sentence that seems to finish things off.

More on tension and suspense next post.  In the meantime, I hope you’ll have another brilliant writing week. Cheers, Mel.
The Writer's Boon Companion, Thirty Days Towards and Extraordinary Volume

If you enjoy Mel Anastasiou’s writing tips, you might try her pocket-sized writing guide The Writer’s Boon Companion: Thirty Days Towards an Extraordinary Volume. Motivates, organizes, encourages, inspires.

From Pulp Literature Press

Creating Suspense and Sustaining Tension, Part 1

At the wonderful Creative Ink writing festival I sat on panels on creating tension and suspense.  I have been thinking ever since about ways to accomplish these.  And, from the point of view of time management for writers, if we can create suspense and sustain tension as we plot and draft, then we save a crazy amount of hours on revisions.

First, it’s worth taking the time to develop a protagonist the reader will care deeply about. We’ve heard of the Monkeysphere — the theory that humans can only keep a certain number of people close to their hearts.  Along with family members and friends, we appear to have  room for fictional characters as well. Right, Netflix?

To develop engaging characters, it’s worth taking the time to list flaws and balancing strengths.  I see so many flawed protagonists in our subs box, but few of them achieve the balance that helps the reader take them to their hearts. Balance involves developing

  • inner and outer longings.
  • kindnesses and sacrifices.
  • falls and redemptions.

Look at the extraordinarily flawed and engaging Lisbeth Salander, The Girl With the Dragon Tattoo.  She’s not all flaws; in fact, her ferocious loyalty, physical strength, and world-beating intellect balance all the imperfections that make us love her.  Looking at my submissions inbox, it seems that there’s a lot of great work on developing flaws in characters, but not much attention to the strengths, as if somehow strengths were old-fashioned.

Once we create that engaging character, half our work in sustaining tension is done for us as the readers bring their own anxiety for the protagonist to the page.  The stakes, depending on our genre, may be survival, love and belonging, power, or freedom. These same stakes resonate with us all, through a character readers can believe in and take for our own.

I hope you’ll have another brilliant writing week.  Cheers, Mel.

Read more about Creative Ink

Four Quick Fixes for Chapter Starts and Finishes

galaxiesmallMost writing exercises are useful in some way or other, but some take us so swiftly and directly towards our goals, that they’re worth identifying and emphasizing. For example, taking a close look at the beginnings and endings of chapters.

  1. When changing POV character, it would seem a no-brainer that you want to get the new character up and identified as soon as possible. However, setting the reader directly into the character’s skin is more important still, while they’re learning whose skin they’re now wearing. The reader is naturally reluctant to leave the previous POV, and to name the new one too soon may cause the reader to set the book down rather than read on. To settle, see the next point.
  2. At the start of every chapter, and arguably every scene, we want to cover time, place, setting, tone, promise of genre, and a hint at the central conflict.
  3. At the end of every chapter, it’s worth making sure that it doesn’t actually “finish.” A great sentence that feels like an ending to the conflict may cause the reader to close the book. Sometimes the sentence must be removed; sometimes it works to move it to the next chapter.
  4. Watching out for rhythms in positive and negative starts and stops is a subtle way to establish storytelling authority. As author Beverly Boissery once put it to me, chapters that always begin positively and end negatively, read flop flop flop. If a chapter ends negatively, consider beginning the new chapter negatively as well, and end it positively, with a hint at future conflict.

Chapter starts and endings set us up to keep reading, keep invested in the characters, and love the book. Whether drafting or revising, these are fairly easy fixes to create even greater narratives.

I hope you’ll have another great week in your writing career. Cheers, Mel


If you enjoy Mel Anastasiou’s writing tips, you might try her pocket-sized writing guide The Writer’s Boon Companion: Thirty Days Towards an Extraordinary Volume. Motivates, organizes, encourages, inspires.

From Pulp Literature Press

Writing Toolboxes

Internet sites talk about writerstechneforfun’ tool
kits as if they were purchaseable equipment, but in truth our toolboxes are entirely inside our minds.  We work in notebooks and on computers, but if we had neither, we could still tell stories to listeners gathered around a campfire.  Writing is making something out of nothing but spirit and brainpower.

“It’s brain,” I said; “pure brain!  What do you do to get like that, Jeeves?  I believe you must eat a lot of fish, or something.  Do you eat a lot of fish, Jeeves?”PG Wodehouse, My Man Jeeves.

I hope you’ll have another brilliant writing week. Cheers, Mel

muse smallThis week from @yourwritingmuse: Your use of the senses in your writing is brilliant– puts the reader into your point-of-view character’s skin. Your Writing Muse

Anticipation and Time Management for Writers

Loving the work saves writers time. Actively looking forward to writing is a powerful practice for those of us working to create a writing career within a full-time life. When we love an activity, we prepare for it.

I love my drafting time like I love skiing, and If I know I’m going to be skiing on a weekend, I’ll think about it through the week, with pleasant anticipation. I’ll be ready. I’m not about to waste my skiing hours looking for my boots, or my drafting hours writing with reluctance, or without direction.

Time to do what we truly love is not time we’re likely to approach with worry or distress.

I hope you’ll have another brilliant writing week. Cheers, Mel.

muse smallThis week from @yourwritingmuse: Your intense focus as you outline & draft, serves your writing career well. Your Writing Muse #amwriting @pulpliterature

Walking, Sleeping, and Writing Better

“I have two doctors, my left leg and my right.” Historian G. M. Trevelyan

walkerbanner1We’re built to walk, and our bodies benefit.   Brains too, being part of the body (as I’m always forgetting as I hunch over and straighten up at my keyboard).

Walking helps gut health, as well, and I’m thrilled and baffled to learn that our guts are full of neurons.

Taking a tip from the Italians, who perambulate of a balmy evening, I’ve begun walking in the cold rain after supper, and by heaven, I sleep better.  There’s little better brain magic than sleep.

I’m up to 3 walks a day, at about 13,000 steps average, because, authors, I’m beginning to think that, like actors, swordfighters, and other athletes, we have a duty to our calling and our career to take our exercise, not just more seriously, but as a professional imperative.

I hope you’ll have another brilliant writing week. Cheers Mel

muse smallThis week from @yourwritingmuseYou work hard to give your best to the world of readers. We are most grateful. Your Writing Muse #amwriting @pulpliterature

For more on walking, see my page Walking to Write, with 100 days of writing and other rewards for integrating an hour a day’s walking into a writing life.

Creating a Writing Career: Think Big

Some say we write for an audience of one.  Granted that our great work is writing the words that reader loves to read, we may also ask ourselves big-picture questions, like

  • What talks would I love to give?
  • How best may I receive, track, and deal with an increasing income?
  • How might I answer classic interview questions? 

Success expert Jim Rohn famously said, “Don’t wish it was easier, wish you were better.” That’s thinking big, for even the best keep getting better.  Let me rephrase. Especially the best, get better.

I hope you’ll have another brilliant writing week.  Cheers Mel

muse smallThis week from @yourwritingmuseYou arrange matters to get a great sleep most nights, ready for the writing ahead. Fab. Your Writing Muse #amwriting @pulpliterature

Mel will be dispensing more of her encouraging words of wisdom at the Creative Ink Festival in Burnaby from March 31st – April 2nd.  She’s not here in town often, so be sure not to miss her!