Tag Archives: Magpie Award

2018 Magpie Award for Poetry Winners

Last week we promised a surprise you would not want to miss, and today’s the day. Of our shortlist, three poems caught Renée Sarojini Saklikar’s eye for the fifth annual Magpie Award for Poetry. Without further delay, here are her picks and comments.

2nd Runner-up – $50 prize

‘My desk’ by Angela Caravan
“An ambitious poem, which needs some attention to line breaks and form. That being said, the language intrigues.  The possibility of what the language is attempting here: admirable.”

First Runner-up – $50 prize

‘All I Need is a Chair, My Red Piano, and’ by Christine Leviczky Riek
“I Enjoyed the dense construction, which leads reader into the world of the poem, telling a story of loss and longing, using repetition of key phrases and a great evocation of a particular time and place.”

Winner – $500 prize

‘Leather wraps both our shoulders, and I will call you my lungs, my falconer, guidepost’ by Kelli Allen
“I read this lovely poem as a sonnet with its fourteen line construction and those interesting, rhymic two line couplets cascading a series of stories in image. Wonderful!”

These poems will appear in Pulp Literature Issue 20, Autumn 2018.  Congratulations to our winners, and a huge thank you to Renée Sarojini Saklikar for serving as this year’s judge. Thank you as well to all our contestants for your participation and suppourt!

 

2018 Magpie Poetry Contest Shortlist

What’s that old magpie nursery rhyme? One for sorrow, two for joy … ten a surprise you won’t want to miss! The Magpie shortlist has been selected by our poetry editorial team Daniel Cowper and Emily Osborne, and we tip our hats to these ten entries.  Names appear in alphabetical order (by last name) and those with multiple entries under consideration are listed more than once.

Kelli Allen
Angela Caravan
Daniela Elza
Rula Jurdi
Charlene Kwiatkowski
Christine Leviczky Riek
Scott-Patrick Mitchell
Cara Waterfall
Cara Waterfall
Sarah Zwickle

Thank you to all who submitted! Renée Sarojini Saklikar‘s picks will be revealed May 15th, so stay tuned for that surprise you won’t want to miss!

Did you miss the deadline for the Bumblebee Flash Fiction Contest this year? Well, we love flash fiction so much, we have two contests! The Hummingbird Flash Fiction Contest opened May 1st and will close June 15th. Early bird entry fee ends May 15th!

 

Magpie Award Judge, Renée Sarojini Saklikar

It is our pleasure to welcome back the final judge for this year’s Magpie Award for Poetry, Surrey BC’s Poet Laureate Renée Sarojini Saklikar.

Renée Sarojini Saklikar, Surrey BC’s inaugural Poet Laureate, writes thecanadaproject, a life-long poem chronicle.  Work from the project appears in journals, anthologies and chapbooks.  Renée’s first book, children of air india, un/authorized exhibits and interjections, (Nightwood Editions, 2013) won the 2014 Canadian Authors Association Award for poetry and was a finalist for the Dorothy Livesay Poetry Award.

Renée is currently a mentor and instructor for Simon Fraser University, and co-founder of the poetry reading series, Lunch Poems at SFU.  With Wayde Compton, Renée co-edited The Revolving City: 51 Poems and the Stories Behind Them (Anvil Press/SFU Public Square, 2015).  She is currently at work on the long poem, “Thot-J-Bap”, excerpts of which can be found in Eleven Eleven, The Capilano Review, DUSIE and The Rusty Toque, as well as in chapbooks published by Nous-Zot and above/ground presses.

We are delighted to have Renée onboard once more as the Magpie Award judge. Thank you, Renée!

The 5th annual Magpie Award for Poetry is open until April 15th.  Contest guidelines and entry form here.

Treasures in the nest: The Magpie Shortlist

Our tireless poetry editor Daniel Cowper has been up late every night for the past weeks, reading and re-reading the wonderful poems that our Magpie gathered this year.  The finalists have been passed onto judge Renée Saklikar and we will announce her findings next week.  In the meantime, here are the shortlisted poets:

Angela Rebrec
Cara Waterfall
Glenn Pape
Leah Komar
Natalie Southworth
Oak Morse
Susan Alexander
Troy Turner
Trudi Benford

Congratulations to all of you, and double congrats to Trudi Benford who has two poems in the running.  Best of luck in the final round!

The Hummingbird Flash Fiction Prize is currently open for entries until June 15th.  To stay abreast of all our contest openings, be sure to sign up for our free monthly newsletter.

Introducing Renée Saklikar, the Magpie Award Judge

It is our pleasure to introduce the judge for this year’s Magpie Award for Poetry, Surrey BC’s Poet Laureate Renée Sarojini Saklikar.

Renée Sarojini Saklikar writes thecanadaproject, a life-long poem chronicle.  Work from the project appears in journals, anthologies and chapbooks.  Renée’s first book, children of air india, un/authorized exhibits and interjections, (Nightwood Editions, 2013) won the 2014 Canadian Authors Association Award for poetry and was a finalist for the Dorothy Livesay Poetry Award.

Renée is currently a mentor and instructor for Simon Fraser University, and co-founder of the poetry reading series, Lunch Poems at SFU.  With Wayde Compton, Renée co-edited The Revolving City: 51 Poems and the Stories Behind Them (Anvil Press/SFU Public Square, 2015).  She is currently at work on the long poem, “Thot-J-Bap”, excerpts of which can be found in Eleven Eleven, The Capilano Review, DUSIE and The Rusty Toque, as well as in chapbooks published by Nous-Zot and above/ground presses.

Renée is the inaugural Poet Laureate for the City of Surrey and the 2017 UBC Okanagan Writer in Residence.  She collects poems about bees.

We are delighted to have Renée onboard as the Magpie Award judge. Thank you, Renée!

The 4th annual Magpie Award for Poetry is open until April 15th.  Contest guidelines  here.

Congratulate Magpie Winner, Nicola Aime!

Magpie Award final judge Diane Tucker has revealed the three gems which will have everyone standing in line to purchase their Issue 12 copy of Pulp Literature (so order it now)!  Our winners spanned the continent, from Newfoundland to California, yet we are secretly pleased that this contest (judged blind) was won by a local Vancouver poet.  And mainly we’re glad because we’ll get to raise a toast to her in person at the book launch!  Without further ado,  Diane’s comments:

All the shortlisted poems contain clever and even beautiful imagery, emotion precisely and originally expressed, and an extraordinary amount of chutzpah. There isn’t a timid piece in the bunch.  But these three, in my opinion, do the work best.

Magpie Award ($500) to Nicola Aime for  “Dumb Love”
Judged by the contest’s own standard –  “a fusion of musicality, imagery, feeling, and thought” – “Dumb Love” is the winner in this group of poems. Every syllable in it serves the music and the rhythm and the story. The poem’s sustained metaphor, or family of metaphors, is never cheesily over-used or descends into mere punning. The poem’s perfect juggle of swooning passion and subtle and sardonic humour makes it a love poem truer than most to actual human love.  I feel it wants to be recited with a resigned smile.  And through all of this it sustains its music.  It is the most seamless of the entries, the most polished and fully-realized piece of work.

First Runner-Up: ($50) Katie Vautour for “Military Survival Training”
This is a dense, stony, jagged poem, longish but laser-focused, patient and cold and terrifying.  It’s a controlled, drawn-out pain, like a night of sleep spent clenching one’s jaw. Waking doesn’t make it better… It’s going to stay lodged in my head and make me think twice before I eat rabbit again.

Second Runner-Up: ($50) Marnie Eldridge for “Man.hunt”
Almost a complete contrast to “Military Survival Training”, “Man.hunt” is a hugely loose, flailing, overflowing tsunami of a poem.  It works as well as it does because its seemingly rambling passages have a fine strong thread running through them… Its chaotic music and gorgeous, determined fierceness sustain the patient reader.

Congratulations again to all our fine poets, and especially to Nicola!

Magpie Top 10 Shortlist!

Congratulations to these wonderful poets for being selected as top picks for our Magpie Prize!  This is an impressive pool of talent, and we are honoured to have such an embarrassment of riches in our contest.  We will unveil the winner on Thursday, so stay tuned!  Our poets, in random order:

Jed Myerssmall magpie
Daniel Aristi
Jude Neale
Marnie Eldridge

Katie Vautour
Elizabeth Armerding

Ada Maria Soto
Susie Taylor
Nicola Aime
Ruth Daniell

Magpie Deadline Extended!

As the entries for the Magpie Award have been pouring in today, we at Pulp HQ have realized we will not be able to get them processed over the weekend.  So since we’re giving ourselves and extended deadline, we thought we’d give you one too:

New deadline: 11:59pm Sunday April 17th.

That means you have until midnight on Sunday to push your fledglings out of the next and send them our way.  Entry Guidelines here.

Good luck to all the entrants!

Magpies take flight!

Poets, this is your chance to earn solid money, and what a pleasure it is for our magazine to be able to offer this opportunity to you again this year. The Magpie Award for Poetry gives $600 in rewards to the writers who can capture our judge’s eye, ear, and heart.  We are pleased to announce that last year’s Magpie winner, Diane Tucker, will be the final judge for this year’s contest.  Early bird entries begin March 1st at the discounted rate of $20 for the first poem, and all entrants receive a digital 1-year subscription to Pulp Literature. To get the poetic juices flowing, we are giving you a taste from Diane’s storehouse …

apricot

little peach, little ball of pale
sunset, soft palmful of summer

when you’ve ripened
and I cut you open
you pull away from your stone
easily; you disgorge your heart
you’ve learned
how to let the centre go

and when we really apply the heat
to you, you let yourself dry, become
leather; this sharpens all your flavours
and fills you especially full of iron

so you are for the blood
and the tongue, all this
after you’ve fed the eyes
and the nose
and the hand’s dry palm
with your mole-soft skin