Tag Archives: Kimberleigh Roseblade

Creative Ink Festival

There’s an exciting new literary festival in town, and Pulp Literature is thrilled to be a part of it!

The Creative Ink Festival for Writers, Readers, and Artists is the brainchild of writer, fitness guru, and all around ball of energy Sandra Wickham.  This one day event on Saturday April 25th is a fabulous chance to see presentations, panels, and readings by dozens of authors, editors, artists and other creative folk, get your work-in-progress blue-pencilled for FREE, and get inspired for that next project, all for the WOW price of only $25.

This is a great way for new writers to get their toes wet at a fun and friendly conference.  It’s a chance to network, learn more about the business of writing, and come blinking out of the solitary writers’ caves in which so many of us tend to spend our working days.

What will the Pulp Lit team be up to?

Laura Kostur

Kimberleigh Roseblade

Visit us: Come by our booth where you will find Sue and Jen, as well as authors Laura Kostur, Kimberleigh Roseblade and Kris Sayer floating between our booth and Academie Duello’s.  We have free ebook issues for Creative Ink attendees only, as well as 20% off all subscriptions, print or ebook!

Kris Sayer

Blue Pencils: Free blue pencil sessions by a host of authors and editors are on offer.  Sue will have sessions between 10am – 11am, and Jen will be available 11am – noon.  Email Sandra to book a session now.

Susan PietersPanels: Sue will be chatting with Patrick Swenson, Silvia Garcia-Moreno, and Ian Alexander Martin in What Agents, Editors and Publishers are Looking For at 11am, and Jen will have her yea or nay thumb at the ready for Live Action Slush with Claude Lalumière, Patrick Swenson, Mark Teppo, and Alex C Renwick.

JM LandelsReadings: Join us at 4:30 for Pulp Lit readings by Sue, Jen, and special guest authors.

Workshop: Jen will present David vs Goliath: Writing the Mismatched Fight Scene at 6pm.  Come and learn how to write fight scenes that thrill and satisfy, in this interactive workshop involving swords, knives and office furniture.

There’s a full day of programming on offer for writers, readers, artists and publishing professionals, and member bags full of free books and other giveaways.  All for amazingly low price of $25.  Prices go up to $30 at the door, so register online this week.  Come out and support this fledgling festival and help it grow to a full three day weekend next year.

We look forward to seeing you there!

 

Swallows Contest Open

The Swallows Sequential Short Story Contest opened on New Year’s Day, and I’m thrilled to announce that the fine folks at The Comicshop in Vancouver will be our judges.  Not only do veteran funny-book connoisseurs Brent, Keith, and Tim have a fine eye for the best in comic book art and storytelling, they’ve been managing my comics reading list for years and I have utter faith in their judgement.

What are we looking for in this contest?  Aside from the nitty gritty details of size and format, which you can find on the Contests page, we are looking for what we always want between the pages of Pulp Literature:  beautiful art and good storytelling.  To give you an idea of our taste here are a few sample pages from previous sequential shorts we’ve published.

mechanics_p1 sample

‘The Mechanics’ by Angela Melick

‘Unwanted Visitors’ by Kris Sayer

p.3

‘Dragon Rock’ by Sylvia Stopforth & Mel Anastasiou

'The Wolf' by Kimberleigh Roseblade & JM Landels

‘The Wolf’ by Kimberleigh Roseblade & JM Landels

So sharpen your pencils, get out your brushes and digital pens and send us your best 1 to 5 page long short comic.  The earlybird entry fee is only $20 until January 15th, which includes an e-subscription to Pulp Literature, and the contest deadline is February 15th.  First prize is $500 plus publication in issue 7 of Pulp Literature, alongside feature author Robert J Sawyer!

Contest rules and guidelines are here.

 

Canvention Congratulations!

Issue 5

Issue 5

Congratulations to next issue’s feature author, Eileen Kernaghan, who netted an Aurora Award for her poem “Night Journey: West Coast” published in Tesseracts Seventeen by EDGE Publishing!

The Aurora’s were presented last weekend at VCon 39 / Canvention 34 in Surrey, and it was a great weekend for Pulp Lit.   Not only did we launch issue 4 with authors KL Mabbs and Ace Baker, our issue 1 and 5 cover artist, the supremely talented Melissa Mary Duncan was an Artist Guest of Honour and an Aurora nominee.   The fact that another Pulp Lit author, David Clink (‘The Lady in White’, ‘Death Smile’, Pulp Literature Issue 2) took second place in the poem category was icing on the cake.  And to top it all off, issue 7 feature author Robert J Sawyer was one of the eight inaugural inductees into the Canadian Science Fiction and Fantasy Hall of Fame.  Congratulations all!

Beer Fairie by Melissa Mary Duncan

Beer Fairie by Melissa Mary Duncan

It wasn’t all books and writing of course.  If you dropped into the Academie Duello demo on Saturday afternoon you would have seen the authors of ‘The Wolf’, Kimberleigh Roseblade and JM Landels, in a friendly sword and buckler match, while Susan Pieters (‘Glass Curtain’, ‘Capture of the Muse’, ‘Invisible’, ‘Below the Knee’) chatted with Stormtroopers, angels and inquisitors at the Pulp Lit table.

Rapier with JM Landels & Gareth Antle

Rapiers at noon with JM Landels & Gareth Antle

 

We had a fabulous time at VCon, and we hope to see you again their next year.  Be sure to subscribe, either here on the website or through our Kickstarter campaign, so as not to miss Eileen Kernaghan’s and Robert J Sawyer’s stories in upcoming issues!

Black and White

Pencils for page 5 of 'The Wolf'

Pencils for page 5 of ‘The Wolf’

When I was a student at the Cartoon Centre in London, David Lloyd would sometimes take a fat marker to a student’s lovingly finished pencils and obliterate half the panel in solid black to illustrate the power of ink.  He did it to me more than once.  And while inside you scream as black envelopes your precious work, with luck you absorb the lesson.  You learn bravery, and balance, and the value of black.  And with time you realize that those precious pencils weren’t worth saving after all.

The page partially inked

A partially inked page

Ink frightens me.  It’s so black, so solid, so permanent.  My comfort zone lies in pencil sketches, which are soft, mutable and contain infinite shades of grey.  Perhaps because I’m lessed skilled with it, I often find ink stills and deadens the picture.  Which is why most of the illustrations in Allaigna’s Song are pencil sketches darkened just enough to reproduce well in a black and white publication.

But sometimes a story requires solid black and white.  ‘The Wolf’ is a poem by Kimberleigh Smithbower Roseblade.  Originally a spoken-word piece, it is full of contrast between the wild and vicious ‘wolf’ — the poet’s autoimmune disease, lupus — and her health, represented by the walls of her home.  The words are direct and visceral, devoid of ambivalence or shades of grey.  For this story, pencil sketches would not do.

The finished page

The finished page

When I must ink, I normally use a fineliner, creating a cartoon overtop of the pencils.  I then use a brush pen or chisel tip marker for shadows and depth.  This is the safe, minimalist approach.  This time though, I pulled out old fashioned brush and inkpot, and let the liquid black pour onto the page.

It was scary and liberating all at once, and pulled me right back into my student days with David.  It’s too early for me to tell critically whether I’ve made the right call, but my gut tells me this suits the story.

‘The Wolf’ will be printed in Pulp Literature Issue 4, Autumn 2014.