Tag Archives: Greg Brown

2019 Year of Authors: 8 – 12 April

Daffodils, birds singing, and select Pulp Literature issues on sale for 50% off — must be spring! It’s not every year you get to celebrate publishing 20 issues of genre-busting literature. We want our readers to reap the rewards, and our contributors to shine in the spotlight, so every week we are offering up a selection of deeply discounted past issues, based on one of the authors, poets, or artists whose work fills the magazine’s pages. Welcome to week 14 of Pulp Literature’s Year of Authors — soak up the savings!

8th – 12th April 2019

Monday: Greg Brown, Issue 1416

Greg Brown is a graduate of the MFA program in Creative Writing at the University of North Carolina-Greensboro. He is a recipient of UBC’s Roy Daniels Memorial Essay Prize, a 2018 Pushcart Prize nominee and the winner of the 2018 Grouse Grind Lit Prize for V. Short Forms. Two of his stories were longlisted for the 2018 Writers’ Trust of Canada/McClelland & Stewart Journey Prize. You can find his stories, criticism, and essays in Postscript, Paragon, The RS500, Lenses: Perspectives on Literature, and Tate Street. Oh, and those two stories nominated for the Journey Prize? They were ‘Bear’ and ‘Love’, from Issues 14 and 16, respectively. Not to brag…

Issue 16 cover art by Akem

Tuesday: Greg Walklin, Issue 9

Greg Walklin is an attorney by day and a freelance writer by night. Aside from writing for the city newspaper in Lincoln, Nebraska, his fiction has appeared in Palooka magazine, Midwestern Gothic and online at Lawyerist. In 2014 he was a finalist in Glimmer Train’s New Writers Contest.

Wednesday: Gregg Chamberlain, Issue 10

Gregg Chamberlain is a community newspaper reporter who lives in rural Ontario with his missus and four cats, who allow their humans the run of the house. His work has appeared in the Daily Science Fiction website, SciPhi Journal, Prose ‘n’ Cons Mystery Magazine, and in the Alternate Hilarities anthology series from Strange Musings Press.

Issue 10 small

Thursday: Holly Walrath, Issue 7

Holly Lyn Walrath’s poetry and short fiction has appeared in Strange Horizons, Fireside Fiction, Luna Station Quarterly, Liminality, and elsewhere. Her chapbook of words and images, Glimmerglass Girl, was published by Finishing Line Press in 2018. She holds a B.A. in English from The University of Texas and a Master’s in Creative Writing from the University of Denver.

Friday: Hugh Henderson, Issues 14 & 19

Hugh Henderson is a Vancouver-based artist who is doing a terrible job convincing himself that he knows what he is doing. He has been constructing and refining the visual landscape of the comic for over five years.  He was the cover artist for Issue 14, Spring 2017, and his comic series with Joseph Stilwell, Blue Skies Over Nine Isles appeared in both Issue 14 and 19.

Author News: Greg Brown

Every year, we nominate our most recent crop of authors for as many awards as possible. It’s one way of passing forward the good fortune we had in publishing them in the first place. This year, we’re proud to announce Greg Brown has been placed on the 2018 Journey Prize Longlist for his short stories ‘Bear’ (Pulp Literature Issue 14) and ‘Love’ (Pulp Literature Issue 16).

Greg Brown is a graduate of the MFA program in Creative Writing at the University of
North Carolina-Greensboro. He is a recipient of UBC’s Roy Daniels Memorial Essay
Prize and you can find his stories, criticism, and essays in Postscript, Paragon, The
RS500, Lenses: Perspectives on Literature, and Tate Street.

The Journey Prize annually recognizes emerging writers for the best short story first published in a Canadian literary journal, and we’re eagerly awaiting the shortlist announcement, September 12th.  Until then, enjoy these excerpts and get a taste of what the Journey Prize jury will pass judgement on in the next month.

Pulp Literature Issue 14, Spring 2017
‘Bear’
Greg Brown

We yawn our way through the ranger’s warning.
“Sure sure,” Dilly says.
“Got it,” I say.
Later, Dilly’s disappeared and I’m staring into a tangle of tree branches and darkness.
The stars in the night sky: glint of teeth.

The teeth are literal teeth: a grizzly bear …

 

 

Pulp Literature Issue 16, Autumn 2017
‘Love’
Greg Brown

We agreed as a family that the only thing to do was to bring Mom home for the next few months or weeks, whatever it would be. It’ll be hard, Dad said. But maybe it can be fine, too. Denisa was suspicious about the cost of it all — like the private nurse we’d have to pay for, where at the hospital it was free — although she didn’t put it like that, said that we’d be crazy to bring Mom into a place where there wasn’t any immediate care, because what if there was a problem like before, the thing with her stent that plugged up and caused some internal bleeding that almost wasn’t staunched in time?

She could’ve, Denisa said.

The oncologist had said October, and the late pale fog had come and now the sky was mostly dimmed and gone by suppertime …

Author News: Greg Brown

Pushcart Prize 2018 CoverAt Pulp Literature, we know our writers are talented, and we want the rest of the world to know too! That’s why every year we nominate six of the authors whose pieces have especially inspired us for the prestigious Pushcart Prize. Touted as “the best of small presses”, Pushcart awards honour those writers who excel at their craft. This year we are pleased to announce Pulp Literature author, Greg Brown, has been nominated by Pushcart judges for his short story, ‘Love’ (Issue 16).

Greg Brown is a graduate of the MFA program in Creative Writing at the University of North Carolina-Greensboro. He is a recipient of UBC’s Roy Daniels Memorial Essay Prize, and you can find his stories, criticism, and essays in Postscript, Paragon, The
RS500, Lenses: Perspectives on Literature, and Tate Street. His surreal short story ‘Bear’ appeared in Pulp Literature Issue 14.

We will find out if Greg’s story makes the final cut in May. Until then, we’ll give you a taste of the story that has Pushcart judges sitting up in their seats…

 

‘Love’
Greg Brown

We agreed as a family that the only thing to do was to bring Mom home for the next few months or weeks, whatever it would be. It’ll be hard, Dad said. But maybe it can be fine, too. Denisa was suspicious about the cost of it all — like the private nurse we’d have to pay for, where at the hospital it was free — although she didn’t put it like that, said that we’d be crazy to bring Mom into a place where there wasn’t any immediate care, because what if there was a problem like before, the thing with her stent that plugged up and caused some internal bleeding that almost wasn’t staunched in time?

She could’ve, Denisa said.

The oncologist had said October, and the late pale fog had come and now the
sky was mostly dimmed and gone by suppertime.

I said that I would only do it if we agreed that Pastor Karen would not come to
the house; I was not comfortable with Pastor Karen coming to the house. Jon and Dad looked at me a moment and said, Okay.

Denisa said, I don’t get what you don’t like about Pastor Karen.

And I explained why I didn’t like Pastor Karen.

And Denisa said, Well I don’t think it’s really fair to call her a liar.

And I explained why I thought it was fair to call Pastor Karen a liar.

And Denisa said, Well, by that standard they’re all liars. And then we’d all be
liars, too. The whole thing would be a lie. We don’t need lies right now.

I agreed with Denisa, especially about how we didn’t need lies right now.

Read the rest of ‘Love’ in Pulp Literature Issue 16. And check out Greg Brown’s ‘Bear’ in Issue 14, currently on sale!