Issue 22, Spring 2019

Order your copy here

Heed the tantalizing call of cover artist Herman Lau‘s Purple Siren and dive into this issue, where

  • Science Fiction Grand Master Robert Silverberg births a new religion from a social experiment gone wrong in ‘The Pope of the Chimps’.
  • A father’s grief leads to a son’s identity crisis in ‘Snapshots’, by Leo X Robertson; and Susan Pieters shows us it’s all about perspective in ‘Spin Doctor’.
  • you’ll find devilish, cold, and ill-tempered poetry from David Ly, Mary Willis, and Heather Christle.
  • Kathryn Yelinek’s protagonist must work outside her element to save the man she loves in ‘The Nyx’s Wife’, and a young paralegal meets all sorts of interesting commuters in ‘Late Night Fun Facts on the No. 65’ by JTF King.
  • The 2018 Raven Short Story Contest winner, Cheryl Wollner, crafts a story of friendship that is impervious to fire with ‘Girls Who Dance in the Flames’.
  • We’ve got a new novella from Mel Anastasiou, The Extra, that is all the aces; and Allaigna must bid bitter farewells in the next instalment of Allaigna’s Song:  Aria, by JM Landels.
  • And our graphic short turns your whole world upside down in ‘The Endless Drop’, by Matthew Nielsen and Minna Hakkola.

Issue 22, Spring 2019

$14.99 print
$4.99 digital

Or subscribe now and get this plus three more issues delivered to your doorstep during the next twelve months.  That’s over 800 pages of fabulous fiction for your reading delight throughout the year!

 

 

What readers are saying

Spanning the gamut of what Pulp Literature used to be, it can be argued that the magazine contains something for everyone. In truth it is much more than that. Much of what constituted pulp literature back in the day was formulaic hack work, though good enough to entertain the expectations of readers who were just looking for a bit of escapist fun. The contents of Pulp Literature magazine are typically of much higher quality, both original and well written, such as to delight the discerning reader. The magazine is not so much a deliberate revival of a past art form as a further evolution of the basic concept. A literary interpretation if you will, but done without losing sight of the goal of having fun. It is quite the high wire act, yet the editors accomplish it with considerable skill and panache. Though my tastes are narrower than the range of material presented I find myself reading everything between the covers. It is indeed a good book for the price of a beer.
Graeme Cameron, Amazing Stories.

CLUBHOUSE: Reviews: Pulp Literature Magazine #22 and “Typhoon Time” (Novel) by Ron S. Friedman