It’s another week dominated by the poets! Week 28 of Pulp Literature’s Year of Authors starts out strong with two Magpie Poetry Contest winners, stays steady in the middle with two poets from across the pond, and finishes with the odd woman out — though something tells us that Pat revels in being the outlier.
22nd – 26th July 2019
Monday: Nicola Aimé, Issue 12
Nicola Aimé writes about the spaces in between, those places where people touch but never entirely find each other: immigration with its sacrificial gains, the ambiguous embraces of tango, the tangled demands of being a woman in the modern era, the vast failures of justice in an indifferent world. Her work has always been among words—stories, screenplays, editing, ESL, and literacy. Poetry arrived unbidden and took her by surprise. It continues to keep her curious and is her route both into herself and out into the world.
Oak Morse is a poet, spoken word artist, speaker and teacher who has travelled and toured across the Southeast as a performing artist as well as a teacher of performance poetry. He now is becoming recognized for his recent literary works, which aim to bring attention to a speech disorder known as ‘cluttering’, which Oak has worked tirelessly to overcome. Oak Morse now speaks and serves as an ambassador for cluttering and writes poetry which seeks to engage readers and immerse them into the cluttering experience. Oak currently lives in Lawrenceville, Georgia, where he works on his poetry collection titled When the Tongue Goes Bad.
Wednesday: Oscar Windsor-Smith, Issue 7,
Oscar Windsor-Smith writes fiction, creative non-fiction, non-fiction and poetry from his home in Hertfordshire, UK. His stories have been finalists in the New York City Midnight Short Story Challenge and the University of Plymouth short fiction competitions.